The Cannes 2014 Experience

I just wanted to say what a good experience Gaëlle and I had in Cannes and seeing our film fund BFI peeps there. Firstly it was such a lovely surprise to see Chris Collins at the Film4 party. It was also really nice getting a chance to hang out with David Segal Hamilton in a relaxed context. He was our BFI exec along with Natascha Wharton and Emily at Lighthouse. And finally how great is Ben Roberts?! Ultimately Gaëlle and I found the whole Crocodile experience a steep but satisfying challenge. We are really happy with the results and feel we have a lot to be thankful for. I hope we can organise a cast & crew screening of Crocodile in London soon and I look forward to seeing everyone again when that happens.


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Recent Entries

BIFA Crocodile and Baby

BIFA has had a great idea in this period of Coronavirus lockdown - they have made all the BIFA nominated and winner shorts over the past 10 years available to view for FREE. How lovely to see BABY and CROCODILE up there and among such an exciting batch of films - great to be able to watch them all.

Films in LFF2019

This year my highlight of the festival was going to NFT1 to listen to an interview with Céline Sciamma, fabulously talented French writer director of Water Lilies, Tomboy, Girlhood (writer of the animated My Life as a Courgette) and in this year’s festival - her period piece Portrait of a Lady on Fire.

First Time Directors

I have been thinking about the stigma and the draw surrounding this title. All my feature projects - and I guess my shorts too in terms of “feature status” - are pretty much with first time directors. Sometimes I long to be at the stage where I can be working with more established directors – albeit them also being the first-timers I’m working with, only them (and me) having MADE that first feature!!! –. Get me out of perpetual development please…