January 2017 Archives

And what will 2017 bring?

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With half our house under siege with subsidence work, we were happy to see the new year in out in Melbourne Australia this year - which in effect meant we celebrated it a good 11 hours before everyone in the UK. Turns out Australia is a great place for New Year and fireworks and Christmas day on the beach...

New Years Eve in Melbourne

This week Teresa May paves the way for pulling out of the EU, Obama steps down as US president and Trump takes his place in the White House in a couple of days - his official inauguration on 20th of Jan... Again it's Michelle who makes the most moving speech.

So goodness knows what lies ahead this year! I liked the Scottish Sunday Herald's TV guide entry (as posted by Billy Bragg) - something that seems straight out of a bad soap for sure! How all of this will impact on the 2017 zetgeist, policy, and generally people's everyday lives?

Well in good old producing tradition, we plough on regardless and make the most of whatever the situation will be - but with even more URGENCY. And so we prepare for Émergence, a fantastic new opportunity that has come our way for the Girl from the Estuary. We will be prepping two or three scenes from the film (casting, recceing and shooting) under the tutelage of industry experts in Paris - cool.

The lineup for this winter will be to attach French distribution and World sales to raise the rest of the finance for The Girl from the Estuary, whilst progressing the development work on the rest of the slate. I am very much looking forward to meeting my Guiding Lights mentor very soon who, if all goes well, will guide me towards successful outcomes. We spent a fantastic GL8 day with script consultant and industry stalwart Kate Leys, who gave us her insights, helped us encapsulate our projects into one sentences, and encouraged us to pitch our projects to each other - and then receive the feedback silently (absolutely NO speaking and no answering questions), attentively and most importantly with marked gratitude (a slice of cake, a bacon sandwich...). Very wise and useful advice to start the year with.

Guiding Lights Kate Leys Day

I will be part of the international jury at Clermont Ferrand this year, so I am looking forward to discovering a lot of new talent - although quite daunting prospect as there will be 75 short films to watch!!! And then it will be straight on to Berlin from there for the 67th Berlinale.

Looking back at 2016

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Looking back at this time last year, we were putting in our production funding application for the Girl from the Estuary into the BFI's first feature fund, in anticipation of the Brexit results in June. Never dreaming the good people from the UK would vote to leave the EU, but uncertain all the same. Better not make the result of that, a feature in the BFI's considerations!! Here we are a year later, and very very thankful of that decision, and their decision, and now looking at what lays ahead as Teresa May paves her brutal way forward.

Last week I had to fill out a whole bunch of Media questionaires for all the workshops I did last year - most Media funded. Ah we will miss that indeed!!! Who will fund our training now? There was Creative England's Market Trader which took place over several weeks starting early summer until the end of the year. A development programme that prepares emerging film producers for working in international markets, by taking the participants through intensive residential workshops and mentoring with Mia Bays, Julia Short, Bea Neumann and Peter Ettedgui.

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Our version of Market Trader took us to Galway Film Fair 2016, which I guess for me was a bit of a shame as i was going there anyway with the Guiding Lights! In any case - all a Great experience we wouldn't have without Media funding into Creative Skillset.

There was the EP2C workshop which I participated (also Media funded!!). A week long residential post production workshop split 50 / 50 between emerging producers and post production supervisors. Again run by fantastic mentors Diana Elbaum (Entre Chien et Loup), Roshana Behesht Nedjad Behesht Nedjad, and Niko Remus and their team of experts. Most notably NL post production supervisors Hans van Helden and Neeltje van der Heijdenn. Another great experience and based out in Halle, Germany, making us still feel very much part of Europe, sharing our practises together.

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And of course there are almost my fabulous Skillset trainees Amy and Maria (again something we might loose in the future, and what a terrible shame that would be!!)

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But there you go, there were many fantastic things that happened last year. Of course very sad things too. Ending with an Australian Christmas for me and the family (Christmas day on the beach!! - now that was really special. It made up for the house being a building site, falling down with subsidence and all ...

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Here's two jolly pics to keave you with! Happy New Year one and all...

Christmas Day Santa in Oz