Still editing Crocodile

After a nice little break, next week Paul will be back from New York for a couple of days, so we'll be back in the edit suite. It feels like the edits on short films are particularly intense. We have spent day and night at Trim for weeks. So far we've celebrated both our birthdays there, shared breakfasts, lunches and dinners, childcare, meetings and lots and lots of homework. It has in fact become our home from home.

Now we have our BFI notes and we're set to go back in.

Crocodile-Edit-Suite800.jpg



Find out more

We're in production and development so things are always changing. Ohna will be keeping the news page & twitter feed up to date. But if you want to know more please do get in touch!

Recent Entries

Films in LFF2019

This year my highlight of the festival was going to NFT1 to listen to an interview with Céline Sciamma, fabulously talented French writer director of Water Lilies, Tomboy, Girlhood (writer of the animated My Life as a Courgette) and in this year’s festival - her period piece Portrait of a Lady on Fire.

First Time Directors

I have been thinking about the stigma and the draw surrounding this title. All my feature projects - and I guess my shorts too in terms of “feature status” - are pretty much with first time directors. Sometimes I long to be at the stage where I can be working with more established directors – albeit them also being the first-timers I’m working with, only them (and me) having MADE that first feature!!! –. Get me out of perpetual development please…

Experimental Film Award - CURTAS Vila do Conde

Suspended Island wins Vila Do Conde Parliament