Toxic Camera in Florence and Art Basel

It is great to see The Toxic Camera (2012), by British Artists's Jane and Louise Wilson still touring internationally and attracting such a wide audience.

I produced the film through Forma Arts with funding from Film London's FLAMIN scheme. The work was commissioned to coincide with the 25th anniversary of the Chernobyl disaster, and was inspired by the film Chernobyl: A Chronicle of Difficult Weeks (1986) made by Soviet filmmaker Vladimir Shevchenko in the days immediately following the accident. Shevchenko subsequently died years later as a result of radiation poisoning. The film, explores interconnecting stories from interviews conducted with Chernobyl 'veterans' and with Shevchenko's film crew, 25 years after the incident.

The narrative includes the story of the camera that Shevchenko used which became so highly radioactive that it was subsequently buried on the outskirts of Kiev. Adriane Searle, upon reviewing The Toxic Camera had the following to say:

"The camera glides, rises and falls. It is a witness and guide, leading you on and detaining you ... The Wilsons' work is more than just a film"

Back in March Jane and Louise were invited to show the film at the exquisite cinema in Florence as part of the Lo Schermo Dell'Arte Film Festival, where they were invited to deliver a Q&A.

J&L_Venice1000.jpg

And in June, Jane and Louise were invited by Art Basel in Germany, the world's premier international art show for Modern and contemporary works, as part of Art Basel Film | Thinking About the Aftermath. Curated by Marc Glöde, Thinking About the Aftermath brings together works that deal in various ways with the catastrophic and the events that follow. The screening of the film was followed by a Q&A Nina Fischer and Maroan el Sani, and Marc Glöde.

ArtBasel_Youtube.jpg

It's great to be working with them again on a new project for the Imperial War Museum which we will start filming this August.


Find out more

We're in production and development so things are always changing. Ohna will be keeping the news page and Twitter feed up to date. But if you want to know more please do get in touch!

Recent Entries

BIFA Crocodile and Baby

BIFA has had a great idea in this period of Coronavirus lockdown - they have made all the BIFA nominated and winner shorts over the past 10 years available to view for FREE. How lovely to see BABY and CROCODILE up there and among such an exciting batch of films - great to be able to watch them all.

Films in LFF2019

This year my highlight of the festival was going to NFT1 to listen to an interview with Céline Sciamma, fabulously talented French writer director of Water Lilies, Tomboy, Girlhood (writer of the animated My Life as a Courgette) and in this year’s festival - her period piece Portrait of a Lady on Fire.

First Time Directors

I have been thinking about the stigma and the draw surrounding this title. All my feature projects - and I guess my shorts too in terms of “feature status” - are pretty much with first time directors. Sometimes I long to be at the stage where I can be working with more established directors – albeit them also being the first-timers I’m working with, only them (and me) having MADE that first feature!!! –. Get me out of perpetual development please…